CANON · ANALOG / DIGITAL

One EF mount, two ways of seeing. Film double-exposures and digital multi-exposures from Venice Beach.

ANALOG

Film double-exposures · 01—10

Red architectural film double-exposure — ANALOG—01Red architecture

Teal and red architectural film double-exposure — ANALOG—02Teal / red architecture

American flag layered over Venice Beach in a digital multi-exposure — ANALOG—03Inverted pool

Randy's Donuts sign in an analog street photograph — ANALOG—04Randy's Donuts

Silhouetted photographer standing on the beach — ANALOG—05Beach silhouette

Black-and-white film photograph of Navy jets — ANALOG—06Navy jets

White tent canopy against a saturated blue sky — ANALOG—07Tent canopy

Upside-down roller coaster against a teal and orange sky — ANALOG—08Roller coaster

Upside-down beachgoers floating over a boardwalk — ANALOG—09Beachgoers

Blue and purple cornflowers beaded with water — ANALOG—10Cornflowers

DIGITAL

Venice Beach · digital multi-exposures · 01—10

Venice Beach street scene layered with an inverted sky and silhouettes — DIGITAL—01Venice Beach

Venice Beach street and pedestrians in a mirrored digital multi-exposure — DIGITAL—02Venice Beach

Palm trees and beachfront silhouettes reflected in a digital multi-exposure — DIGITAL—03Venice Beach

Jesus Is King mural layered with an upside-down Venice street — DIGITAL—04Jesus Is King

Cars and aircraft layered in a dark digital multi-exposure — DIGITAL—05Venice Beach

Pink OPEN neon signs layered in opposite orientations — DIGITAL—06Open

Crowd and trees doubled across an inverted Venice Beach frame — DIGITAL—07Venice Beach

Beach walkers and palm trees mirrored against a sunset — DIGITAL—08Venice Beach

Palm-lined promenade split by an inverted digital exposure — DIGITAL—09Venice Beach

Venice Beach palms and waterfront silhouettes mirrored at dusk — DIGITAL—10Venice Beach

About

Canon on both sides: EOS Rebel T2i for digital, A2 for film—one EF mount moving between them. Building the L-glass kit one red ring at a time. EF Mount forever.